The Procrastination Factor
You've all seen it before. You're halfway through
a project, in the process of writing what seemed
like a fantastic idea less than one month ago,
when WHAM! Along comes an idea that seems even
more fantastic, even more exciting and riveting
than the first. You decide you can't possibly
let this opportunity pass you by and immediately
drop Project A because Project B is an idea
that just can't wait.
You work diligently on Project B. Some time
passes. You're halfway through the first draft,
when WHAM! Along comes an idea that seems even
more fantastic, even more exciting and riveting
than the last and....we all know where this
is leading because we've all been there.
It's what I like to call the Procrastination
Factor.
It's an unusual psychological dilemma every
writer faces at one time or another. I certainly
haven't been able to avoid it myself. If you're
one of the lucky few who have escaped its clutches
so far, chances are you'll fall victim to it
at some point in your writing career.
Part of it draws from the innate fear of failure.
If a writer is constantly beginning new projects,
he or she may never finish a script and therefore
may never have to send it out into the industry
and encounter rejection from potential agents
and producers. Eventually, most writers overcome
this fear and realize rejection is part of the
territory.
Part of it stems from that wonderful high
all writers get when a new idea pops into their
head — the incredible rush that comes from the
notion that you, yourself, have just thought
up a storyline with the potential to become
a fantastic film. Frequently moving from one
project to the next allows a writer to maintain
that high for as long as possible.
Contrary to popular belief, the drug of choice
in Hollywood is not cocaine but concept.
The temptation to succumb to the thrill of
a new idea is hard to resist. It helps to focus
on the fact that an even bigger high is waiting
for you when you can hold your completed script
in your hands and think, "I wrote this." This
can eventually lead to the vastly more incredible
high of selling your script, holding a relatively
large check in your hands, staring at your story
unfolding on the big screen, and thinking, well…
"WOW!" (What else would you be thinking?!)
Being overwhelmed with a flood of new ideas
is not necessarily a bad thing and can, in fact,
be extremely beneficial. What a writer does
when struck by those ideas is what determines
whether the ideas are a blessing or a curse.
Most writers have found the best way to handle
the incoming tide is to keep a notebook handy
to write down ideas as they come. Make a few
brief notes, enough to insure you'll remember
what they mean when you refer to them later.
Scribble out a quick outline. Jot down key phrases,
scene locations, character traits, bits and
pieces of dialogue, anything that comes to you
at that moment.
Then put down the notebook and go back to your
current project.
That is not to say you can't have several
writing projects in the works at the same time.
Simultaneously working on multiple projects
allows you to move from one project to another
whenever you encounter writer's block and don't
know where to take a particular storyline next.
Sometimes taking your focus off one project
and concentrating on another will bring the
right solution to the fore of your mind.
The key is maintaining the discipline to revisit
those projects until they are completed. As
long as you are always returning to those projects,
always doing everything you can to finish them
and to be productive, it can be a healthy habit.
The true problem arises when you're not going
back to those projects, when they become part
of an ever-growing stack of half-finished scripts
resting undisturbed on a closet shelf.
Stop right now and count on your fingers how
many stories you are currently in the process
of writing.
If you've used up all the fingers on one hand
and moved on to the second (or worse, if you're
counting toes because you've run out of fingers)
you're a victim of the Procrastination Factor.
The cure: Take your stack of half-finished
manuscripts or screenplays out of the closet,
dust them off and bring them back to life.
© Kris Cramer. All rights reserved.
Reprinted here with the author's permission.
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